I really like the fact that “Thomas King (Cheroke) entirely
rejects the postcolonial paradigm as applied to Native literatures, because it implies
that Native cultures only begin to make sense with the advent of colonialism,
as well as in relation to its impact and aftermath. Native cultures existed
orally before the arrival of European invader-settlers, and for King there is
no intrinsic connection between them and colonial existence” (566). It is very
refreshing to see identity from the perspective of a people determined not by a
binary hierarchy structure where the minority population is at a disadvantage
in comparison to the politically/economically/socially stronger colonizing
force. I really like the idea of identity and self-definition that seeks to express
itself without comparing it to any other group.
There is another statement that reinforces the idea of
identity without a binary/comparing it to any other social structure: “For
indigenous peoples around the world…their identities, argues King, are already
anchored in their own traditions, one which many native peoples argue have
existed since time immemorial” (566).
This new idea of having literature being something that
excludes outsiders on purpose is different from Achebe’s point of view, but is
still beautiful in its own way. It’s also a reversal on the typical hierarchical
schema, where the West/whites are the ones that are excluding groups that are
not the norm (women, minorities, African Americans, African Canadians etcetera):
“For the non-Native reader, this literature provides a limited and particular
access to a Native world, allowing the reader to associate with that world
without being encouraged to feel a part of it. It does not pander to non-Native
expectations concerning the glamour and/or horror of Native life” (570). This
literature also does not attempt to mimic or please and it is again, very
refreshing to see a different stance/perspective in terms of determining how
one’s literature and social identity is defined.
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